Todays conference was really good, and the venue was the upstairs from the subterrarian pit where yesterdays presentations took place. after a great breakfast Gert lovink gave a really good intro calling for a form of web sociology.
Jodi Dean (usa) spoke very interestingly about the constitution of the social in social media critique. she gave three definition of the contention that society does not exist. Her first the neo-liberal version as espoused by thatcher, the second a rendering provided by ANT/Object theory and third the version provided by Lacau & Mouffe. Her point was that social media is a mirror each of these contentions and the motif of the network, as the representative of the social, is a simulacra of these relationships. her claim was that if society did exist then there would not be a need for social media platforms.
She consistently problematicised social media critique for always talking of dispersion, privacy and identity concerns (a position she stated it shared with the neo liberal dismissing of society) what she asked would their version of social media look like ? was not more a fact that these critics had - from a psychoanalytic viewpoint - had issues with trust, that they did not trust these vast conglomerations.
So for dean it was not the issues of the vast numbers of users, the bottleneck, but rather that these were concentrated into the hands of one person/company. And that dispersion is more likely to produce the 'one' of neo liberal politics, as she said, 'no long tail without the strong one' - and there is in fact an underlying desire that people want to be part of a whole. for instance in the claim that twitter enabled the recent arab spring protests was dismissed as confusing the form, which allows for collectivity, and focusing on the content. FB then is the private ownership of this form of collectivity and that is the problem with FB.
Friday, 9 March 2012
Tuesday, 6 March 2012
Topology: Spaces of Transformation Topology: Secrets of Space Topology: Embodying Transformation 5 November 2011–16 June 2012 Tate Modern, Starr Auditorium Bankside London SE1 9TG
| I went to this on saturday @ Tate Modern: Artist Olafur Eliasson in conversation with Bruno Latour and Peter Weibel. Chaired by Catherine Malabou. It was good, and in part quite funny. Latour and Weibel completely disagreed about the construction of space, for Latour space is inscribed, which he related to art history, Weibel made use of graph theory, after Weibel had explained his position Latour said 'I disagree with everything you have said'. Somewhere in the middle was Eliasson, who has worked and made work with both Weibel and Latour. The discussion was pretty stunted as a result of their intransigence, although Eliasson acted as a good glue between the two, the chair was pretty poor. | ||
Wednesday, 29 February 2012
OKF Helsinki
Just posted up some initial ideas for a panel discussion for artists using open data. In Berlin last year there was only one artist featured and he was not explicitly engaged with open data. In response i pitched the idea of curating and afternoon session featuring artists who explicitly and critically engage with open data, initial posting here http://okfestival.okfnpad.org/helsinki?.
Tuesday, 31 January 2012
#OpenDataLDN 3: Wikimedia and New Collaborations
I presented Landscape-Portrait at the bi-monthly meet up of the Open Knowledge Foundation last night. The night of lightning talks featured various talks including the National Archive at Kew, who are having a hack day in the near future, which could be interesting. The night went well, lots of interest from various sources, charities producing personal narratives of those they help, other students. But as yet no programmer, which was the main aim of the evening, interestingly I was not the only one requesting technical help, seems like a bit of a bottle neck.
Thursday, 19 January 2012
Asier Mendizabal - Raven Row
Last night i went to a talk by Asier Mendizabal at Raven Row, the gallery owned and run by Alex Sainsbury. I am quite perplexed by the whole evening, it kinda makes me wonder if a gallery, even one as accommodating as RR - is the right place for Mendizabal's work. The works seem like props for a narrative that can only be told by the artist, or a select group 'who are in the know'.
Perversely I think this performative, story telling approach would work quite well within the confines of community based work. Whereby a working group develop a set of props and
a narrative, and the performance on this becomes is the work, the story would then (ideally) be retold and mistold, making its transition from object to symbol mmmmm
sort of - It also struck me that most of his works come from a world which might considered - analogue - the punk movement, 50's abstract expressionism. Its like a music fan who refuses to listen to music after 1973, the narratives that Mendizabal develops are not complicated by the confusion and multiplicity caused by domestic access to computing and digital networks, the references he uses seem, in comparison to the contemporary moment, quite fixed.
Tuesday, 17 January 2012
LOD - Programmer
I've been searching for a LOD programmer to both advise and probably do some of the programming for the next stage of LP. Kat from the OKF has been helpful but as yet nothing has materialized. As a result I am going to present the work at LDN 3, the monthly meet up of the OKF, hopefully from that something will occur.....
Tuesday, 10 January 2012
LOD Landscape-Portrait - Programmer/ Open Data advisor Needed !
Overview.
Landscape-Portrait is public art project which collects video portraits of person and place which act as a critique of those produced by demographics. The work tours around the country inviting collaboration between local artists, community professionals and participants within each locale. The work has been running now in its data gathering phase for five years and has collected an extensive archive of video portraits.
The plan now is to release this video content as open data, with the aim of offering an alternative view of person and place to that which is derived from statistical information. In order to do this I need the services of a programmer conversant with Open Data practices (RDF etc), who might be willing to work with me on this next phase.
The project is not a commercial exercise, it has been funded primarily by the Arts Council of England, therefore there is not an extensive budget, however we do has some funding. In addition the project is the focus of my PHD, and therefore I can devote considerable time to it.
If you think you may have some time to help move the project onto the next phase please drop me a line @: kevin@co-lab.org.
Phase one of the project itself can be viewed here: www.landscape-portrait.com
Landscape-Portrait is public art project which collects video portraits of person and place which act as a critique of those produced by demographics. The work tours around the country inviting collaboration between local artists, community professionals and participants within each locale. The work has been running now in its data gathering phase for five years and has collected an extensive archive of video portraits.
The plan now is to release this video content as open data, with the aim of offering an alternative view of person and place to that which is derived from statistical information. In order to do this I need the services of a programmer conversant with Open Data practices (RDF etc), who might be willing to work with me on this next phase.
The project is not a commercial exercise, it has been funded primarily by the Arts Council of England, therefore there is not an extensive budget, however we do has some funding. In addition the project is the focus of my PHD, and therefore I can devote considerable time to it.
If you think you may have some time to help move the project onto the next phase please drop me a line @: kevin@co-lab.org.
Phase one of the project itself can be viewed here: www.landscape-portrait.com
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